> Nerd Nite #49: Pirouettes, pedagogy and Punnett squares

Nerd Nite #49: Pirouettes, pedagogy and Punnett squares

Can you help out an old ’49er? Some of you Star Trek nerds will get this. The rest of you will think it’s a reference to our 49th show. The good news is you’re all correct! We have a little art, a little science, and a little but of content from left field. It’s the ultimate Nerd Nite line up.

So be there AND be square!

When: Tuesday, April 30, 2019 (doors @ 7:30pm | show @ 8pm)
Where: Westbury Lobby, ATB Financial Arts Barns (10330 84 Ave NW)
Tickets: $20 in advance (plus fees + GST)
No minors.

Tickets on sale NOW!

Our line-up of talks includes:

The future of DNA technologies
Mikolaj Raszek

DNA sequencing is rapidly altering the world of medicine and entering popular culture. But being the most efficient repository of information in the universe, combined with its ability to interact with itself and other molecules, DNA holds an incredible array of possible uses. DNA is most famous for storing information on how to create a life form, but it can store any information desired, opening doors for manipulating living organisms into new artificial directions outside what is found in nature. DNA can also form three dimensional structures, and act as a computer program. This provides the opportunity for DNA to become a tool of advancement and progress or a weapon of unimaginable destruction; a tool for distributive justice, or a treasure held by elitist hands. In this talk, we will review a few of these possibilities and what the future might hold.

Dr. Mikolaj Raszek made a mistake of getting a doctorate degree, and by the time he realized what he was in for, he had to actually plan some career to accommodate his degree. Enter DNA sequencing business, exit normal life. Prior to genetic commercial speculation, Mikolaj was quite a normal member of society, particularly being fond of outdoors, freezing extremities during winter, or testing the limits of sun tanning at any beach he could find in the summer, no matter how accidental. But that is all thing of the past. Since then, Mikolaj discovered he has a genetic predisposition for a higher level of nerdiness that merited further nourishing.

Teachers Reaching Teachers
Jessica Kornder

Teachers never stop learning. Or teaching, for that matter. But it’s not as simple as showing up at a couple of PD days at the Shaw Conference Centre each year. Many of us travel the world to share our knowledge and learn from others, often in unexpected ways. I have been involved in thee projects with Canadian Teachers’ Federation (CTF) and 1 with Change For Children. I’ll be talking about what Project Overseas — CTF and Change For Children initiatives are and provide brief narratives of my various experiences. I’ll touch on how my profession is similar worldwide and how teachers can work in solidarity with colleagues, at home and abroad, to ensure that all children have access to quality public education.

I was born and raised as a bookworm in Grande Prairie. I moved to Sherwood Park in 1998, finished high school (where my dad was the principal—yes, I am a super nerd) then left to spend a year in the Dominican Republic doing volunteer work. I came back to complete my B.Ed. at the Campus Saint-Jean U of A (with Honors—yes, more nerd-spice). I started teaching Grade 1 in a French Immersion program. After 5 years there, I spent a year teaching on the Sunchild Reserve close to Rocky Mountain House. When I returned to Edmonton, I switched into the Spanish Bilingual program and taught Grade 1 Spanish for six years. I am now a Learning Coach in a dual track (French/Spanish) school, where I get my nerd on by helping teachers in figure out what their students need to best learn.

How to compose ballet music, in case you’ve ever wondered
John Estacio

What comes first when creating a new ballet; the choreography or the music? Well, technically, neither because the story comes first. But in case you’ve ever wondered how a composer approaches writing music for a never-seen-before ballet, John Estacio will shed some light on the process and talk you through how he composed music for the Cincinnati Ballet’s production of “King Arthur’s Camelot.”

John Estacio has worked as composer for three decades. He was the Edmonton Symphony’s first ever composer-in-residence and has also held similar positions with the Calgary Philharmonic and the Calgary Opera. In addition to composing for the symphony, opera and ballet stages, he has also composed music for film. He loves film music and sometimes he’ll watch a movie just to listen to the music and study how it is integrated with the performances and action on the screen. He has been nominated for a JUNO Award four times and in 2017 he was awarded the Lieutenant Governor of Alberta Award for Excellence in the Arts. He lives in Edmonton with his partner of 19 years and their pup Chewie.

Leave a Reply